How Robert Browning Portray’s Mood in ‘the Laboratory’.

The Laboratory Essay The subtitle to Robert toastings numbers The Laboratory, Ancien Regime, tells us that it is garnish in France before the revolution, when the stage of women envenoming love rivals was very common. The poem is a dramatic monologue. The cashier appears to be a woman, a fact which is non apparent in the go-ahead stanza, but becomes so as the poem develops. In the first stanza, the narrator is putting on a mask and reflection the person in the laboratory through a haze of smoke thro these faint smokes curling whitely.She shows her naivety whilst putting on the mask, as she thinks she is protecting herself, and doesnt think it can harm her. This shows us that she doesnt think of the consequences of her actions. The narrator refers to the laboratory as this devils-smithy, which is the first sign that something sinister is going on. The final railway system of this stanza leaves us in no doubt of this, as the woman asks, Which is the embitter to toxicant her, prithee? The repetition of poison emphasises its importance.The opening joint of the second stanza, He is with her, suggests that the narrator has asked for poison to be concocted because she is jealous. It would seem that her lover has deserted her for some other woman. She says that they think she is crying and has gone to pray in the drear / Empty church. The couple, meanwhile, are making looseness of her, stressed by the repetition of laugh in line 7. The stanza closes with the brief phrase I am here, emphasising the tantrum of the laboratory which is in such sharp contrast to the church.The phrase Grind away at the start of the leash stanza shows the womans eagerness for the druggist to fetch the poison. browning brings the description alive by using alliteration in the phrases moisten and mash and Pound at thy powder. The narrator is not in a hurry and says she would rather gull the concocting of the poison than be dancing at the Kings court. In the fourth stanza th e narrator comments on the ingredients of the poison.The chemist is coalesce it with a pestle and mortar, and the woman accounts the gum from a tree as gold oozings, giving the legal tender that it is both beautiful and valuable. She then grimaces at a blue liquid in a voiced phial, finding the colour exquisite. She imagines that it ordain taste sweet because of its beautiful appearance and is surprised that it is a poison. Stanza quintuplet begins with the narrator wishing she possessed all the ingredients, which she refers to as treasures. Browning uses ersonification to describe them as a undue crowd, and the woman considers them as pleasures, a sinister attitude to poisonous substances. The use of the adjective invisible means that estimable a tiny amount would be required. The narrator delights in the thought of being able to concord pure expiration in any one of a list of small accessories, such as an earring or a fan-mount. In the sixth stanza the narrator turns h er thoughts to how easy it provide be at court to impart a mere lozenge, like a sweet, that will kill a woman in just half an hour.She names two women in this stanza, Pauline and Elise, and it is not clear if one of them is the current get of her jealousy and desire to murder. She delights at the thought of Elise dying, and Browning uses enjambment to create the list her head / And her front and her arms and her hands, perhaps because she is jealous of Elises beauty. The seventh stanza opens with the sudden exclamation Quick and the narrator is now huffy as the poison is ready. She then reveals her disappointment, however, as its colour is grim, unlike the blue liquid in the phial.She hoped that it would make her intended victims drink look so appetising that she would be encouraged to drink it. In the ordinal stanza she is concerned about how tiny the amount of poison is What a drop She says that the other woman is easily bigger than her, and thinks that she ensnared or ca ught the man in her trap because of her size. The narrator is not convinced that the drop of poison will be fatal this never will free / The soul from those masculine eyes. It will not be enough to stop the victims pulse, which the narrator describes as magnificent.In the ninth stanza the narrator recounts, in lines using enjambment, how she had gazed at the other woman the previous evening when her ex-lover was with whispering to her. She had hoped that by staring at her she would fall shrivelled. This plain did not happen, but the narrator knows that the poison will do its work. Stanza ten has slightly shorter lines than the others, and the narrator addresses the chemist directly. She knows that the poison will act quickly, but she does not want her victim to have an easy death Not that I bid you spare her the pain.Browning uses alliteration in a cluster of three to describe how the narrator wants the other woman to suffer the effects of the poison, in the phrase Brand, burn up, b ite. The stanza ends with the narrator commenting that her ex-lover will always have the memory of the pain on the dying womans face, and she appears to relish this thought. The narrator asks the chemist if the poison is ready at the start of the eleventh stanza. She asks him to remove her mask and not to be morose, or gloomy.The poison will be lethal for her victim, and she does not want the mask to stop her having a good look at it. She describes it with the alliterative phrase a delicate droplet, and alliteration appears again as she comments my whole fortunes remuneration meaning that it has cost her everything she owns. In the closing line of the stanza, she wonders if she herself can be harmed by the poison, considering the effect it will have on her victim. The twelfth and final stanza begins with the narrator once again showing how much the poison is costing her.She tells the chemist Now take all my jewels, gorge gold to your fill, and the alliteration in the phrase gorge gold adds emphasis. She shows her gratitude by telling the chemist, whom she addresses as old man, that he may kiss her on her lips if he would like to. She asks him, however, to brush this dust off her, referring to traces of poison, as she is afraid it will harm her too lest horror it brings. The poem ends as she proclaims that she will dance at the Kings a triumphant announcement.Whether or not her victim dies from ingesting the poison, we do not know, but she shows no remorse and is obviously determined to go through with her murderous plan. Browning has given the lines of poetry an upbeat, fast-paced rhythm that convey the womans excitement at the idea of poisoning her victim. Browning has created a character who is totally ruthless and eaten up by jealousy, determined to carry out an act of revenge that will prove fatal to another woman, like Lady Macbeths ruthless want to become queen, despite the fact that she has to kill people to get to it.